The 10.24.08 performance of Kathleen, Alyssa, Maegan, and Lauren: Its was interesting seeing four different performances come together like that. I feel like some overshadowed others - Lauren and Maegan were absolutely captivating both in their own right. Kathleen was mostly on her own. She was in her square as a character with a problem, existing in her own character's mind and space. Her text and the idea behind it was fairly straight forward not leaving too much room for alternative interpretation. She was prepared and had a clear objective for what she wanted to portray. I felt her nervousness a little, which happens when you go first and everyone watches you for five minutes. I was happy she didn't rush into it, remained calm, didn't parody, and let the audience soak in what she felt her pace was. I believe Maegan came in next. She has a very interesting energy to her on stage - very centered, focused, projecting the inner emotion of the idea she wishes to present. On this day Maegan seemed turmoiled, in deep thought. She was silent at first, interacting with the audience through her eyes and a single picture. Her performance was happening with or without an audience present. She seemed to be putting herself in her own private hell right before our eyes - every woman's nightmare... to be tied up, duck taped, shoved in a small space left to fend for yourself. And yet she ended up freeing herself eventually, not entirely but she did break some of the ducktape. There was struggle, fear - te
11.04.2008
Milk pools, beer guzzling, tomato throwing, blood curdling screams
The 10.24.08 performance of Kathleen, Alyssa, Maegan, and Lauren: Its was interesting seeing four different performances come together like that. I feel like some overshadowed others - Lauren and Maegan were absolutely captivating both in their own right. Kathleen was mostly on her own. She was in her square as a character with a problem, existing in her own character's mind and space. Her text and the idea behind it was fairly straight forward not leaving too much room for alternative interpretation. She was prepared and had a clear objective for what she wanted to portray. I felt her nervousness a little, which happens when you go first and everyone watches you for five minutes. I was happy she didn't rush into it, remained calm, didn't parody, and let the audience soak in what she felt her pace was. I believe Maegan came in next. She has a very interesting energy to her on stage - very centered, focused, projecting the inner emotion of the idea she wishes to present. On this day Maegan seemed turmoiled, in deep thought. She was silent at first, interacting with the audience through her eyes and a single picture. Her performance was happening with or without an audience present. She seemed to be putting herself in her own private hell right before our eyes - every woman's nightmare... to be tied up, duck taped, shoved in a small space left to fend for yourself. And yet she ended up freeing herself eventually, not entirely but she did break some of the ducktape. There was struggle, fear - te
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3 comments:
Thank you, that critique is what a lot of us needed and gave us the perspective we were lacking in knowing from the audience.
I think your critique was really interesting and spot on. I hadn't considered some of the points you brought up.
..also thanks for being one of the two people that actually gave us feedback that day.
Why the tomatoes?...good question...I hope for all of eternity you are forever reminded of me when you see those said fruit veggies...
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